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翻訳 - 日本語 The End of Photography
A film camera makes an image by collecting light onto film which is made up of grains. With an enlarger, each grain is blown up and placed onto photographic paper. The relationship of the camera and the light is part of a process which is predetermined, not influenced by humans, and which leaves undeniable traces of the sun.
However, due to the advancements in digital technology, this conventional method of photography is slowly disappearing. Perhaps it is inevitable. The idea of a better way of seeing is not exactly an alternative to the conventional camera, a device that projects reality, but is rather just in the minds of the people. What we think we see is projected rather than what is actually there. The overly vibrant colors, showing extreme detail of the object in focus but showing no care whatsoever to the rest of the image, and the multiple functions that no longer require people to have intentions produce a certain kind of image. There is nothing to discover from these photographs. It is a mere projection of what one wanted to see and nothing more.
Surely, an experienced photographer can still work around these constraints. I am afraid, however, to an ordinary person their vision of the world will depend only on what they desire to see. Moreover, because
making the photograph is so easy, and printing out the photographs is still somewhat difficult, one lends to enjoy these images in their fleeting digital form, accelerating the about mentioned phenomena. In the past hundred years and a few decades, an enormous number of images have been created and accumulated. On the contrary, digital data only appears if one intentionally desires to see it. In other words, these digital images become data that is never again viewed. They are short lived, fleeting images, as faint as our memory itself, disappearing much sooner than the material decay of conventional film and photographs. Considering all of this, the fact that I have used film and traditional photographic paper to develop my work is very meaningful. The photographic paper I have used is no longer in production. Therefore, we may never again be able to see colors which have a similar presence. If possible, I hope you will appreciate the depth, in both meaning and color, which is latent in the traces of light that are captured in this photographic process.
Adobe Illustrator, Adobe Photoshop, Microsoft Excel, Microsoft Word, Powerpoint
CV/Resume
CV available upon request
Bio
Hello prospective clients,
I am a native Japanese linguist who is passionate about helping people communicate.
Living in Japan and the U.S. all of my life has prepared me well to pursue this career. Along with taking on general projects, I am an expert in the areas of Art, Craft and Design. I obtained my BFA and MFA at American universities and also have spent considerable amount of time working in the above fields. As a result, I am able to provide translations that are accurate and authentic sounding. I am also very organized, responsible and always 120% committed to the task at hand.
I look forward to working with you!
キーワード： Japanese, art, artist, artist statement, contemporary art, medium, technique, painting, drawing, sculpture. See more.Japanese, art, artist, artist statement, contemporary art, medium, technique, painting, drawing, sculpture, printmaking, textiles, paper making, traditional crafts, artisans, product design, gallery, museum, アート、アーチスト、現代美術、メディウム、技法、絵画、ドローイング、立体、版画、テキスタイル、染色、染織、和紙、伝統工芸、職人、プロダクトデザイン、ギャラリー、美術館. See less.
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